Two Good Reasons

Two Good Reasons To Choose HMO Arkansas:

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Benefit Coverage. HMO Arkansas is a health maintenance organization that means more coverage for you and your family. It includes all of your routine physician care, care prescribed by your physician, plus immunizations, infant and child care, and physical examinations.

Billing Simplicity. There are fewer out-of-pocket expenses for physician services. When you present you identification card to your primary care physician, he will bill HMO Arkansas directly for the services he provides you.

HMO Arkansas is backed by the stability and resources of Blue Cross and Blue Shield of Arkansas, the state’s largest health care provider.

So you can be secure that you’re simply covered.

For even more reasons to enroll in HMO Arkansas, see the enclosed information package.

HMO Arkansas
Health Maintenance Organization


Copy:
Art Director:
Medium:
Client:
Agency:
Year:
Keith Brenton
Tom Henton
2-Color Binder Cover Insert, 8.5×11″
Blue Cross and Blue Shield of Arkansas
Cranford Johnson Robinson Woods
1989


See also the SIMPLE Brochure for this client: Side One | Side Two

249 Spring Street • Eureka Springs, AR 72632
wryterkb@gmail.com

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21-Nun Salute

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For the hours you labor.

For the love you share.

For the care you deliver, the companionship you offer, the professionalism you display.

For every little thing you do to make a patient more comfortable or a staff member’s job a little easier.

For all of this—and much, much more—a recognition with the most profound gratitude, on behalf of the patients, their families, and the medical and support staff of St. Michael Hospital:

Thank you.

Nurse Appreciation Week, April 30 – May 4, 1990

St Michael Hospital
We Specialize In You.


Copy:
Art Director:
Medium:
Client:
Agency:
Year:
Keith Brenton
Tom Henton
2-Color Newspaper Ad; Poster
St Michael Hospital / Texarkana
Cranford Johnson Robinson Woods
1990

 

This newspaper ad won a bevy of advertising and public relations awards, including a national Catholic Health Marketing award we didn’t even know about; the client entered it. The hospital is now known as “Christus St Michael,” and the logo has changed.

249 Spring Street • Eureka Springs, AR 72632
wryterkb@gmail.com

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Vital Signs

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Let’s clear the air.

Beginning January 2, 1990, St Michael Hospital became a smoke-free environment—the first hospital in the region to adopt this policy.

You’ll see signs posted throughout our facilities as a reminder of this effort toward an environment that eases our patients’ recuperation and that is healthier for everyone—patients, visitors, staff. We feel our vital signs are improving—improving our healing environment; improving the health of our friends.

Please support this effort, and look for the designated smoking area outside the hospital if you wish to smoke.

Or better yet, enroll in our “Freedom from Smoking” Program, sponsored by St Michael Hospital and the American Lung Association.

St Michael Hospital
We Specialize In You.


Copy:
Art Director:
Medium:
Client:
Agency:
Year:
Keith Brenton
Tom Henton
2-Color Newspaper Ad; Poster
St Michael Hospital / Texarkana
Cranford Johnson Robinson Woods
1989

This newspaper ad was reprinted on index stock for posting inside the hospital before and during the implementation of their no-smoking policy. The hospital is now known as “Christus St Michael,” and the logo has changed.

249 Spring Street • Eureka Springs, AR 72632
wryterkb@gmail.com

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Gardener

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He’s ten years old, red-headed, freckle-faced, and he likes soccer, baseball, basketball and swimming.

But his favorite thing to do is working in the garden.

In June, 1987 while he was doing something else children like to do — riding his bicycle — his life took a downhill turn and almost ended when he collided with a car. This active, talkative boy fell suddenly silent.

He was revived and stabilized, then rushed to Arkansas Children’s Hospital aboard the emergency helicopter transport Angel One.

While he was still in a coma, emergency rom technicians, nurses and doctors worked to restore the use of his limbs — including a leg which was, in their words, “broken to pieces.” His parents were present for many of the procedures, while staff members explained them. They never gave up.

He was in our Pediatric Intensive Care Unit for two weeks, and a few weeks later, his silence ended: he came out of the coma. Soon, he was able to start therapy in our Rehabilitation Center and began to rebuild his young muscles. He returned to school last year, working hard in spite of the fact that his rehabilitation was not yet complete. Like his parents, he never gave up.

He knows life is going to be uphill from now on. But he also knows that, justas he helps the plants in his garden, there will always be someone around to help him grow.

And his dad says, “I just thank God every day that I have my son.”

Arkansas Children’s Hospital
Where love can move mountains.

YOUR CHILDREN ARE OUR CHILDREN.
8th and Marshall Streets Little Rock, AR 72202-3591 370-1100


Copy:
Art Director:
Medium:
Client:
Agency:
Year:
Keith Brenton
Debbie Strobel
4-Color Newspaper
Arkansas Children’s Hospital
Cranford Johnson Robinson Woods
1988

The first ad in this series, (“Equestrian,” left) was written by Creative Director Ralph Patterson, and my task for the remaining three was to continue the narrative writing style and word count. “Your Children Are Our Children” was the positioning line I created for the client, which was retained for many years (and even borrowed later on by another children’s hospital elsewhere, I understand). This series of four ads featured beautiful done-by-hand pastel illustrations made from photographs at a time before PhotoShop made that easy.


249 Spring Street • Eureka Springs, AR 72632
wryterkb@gmail.com

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Pianist

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She likes to do many of the same things that other 9-year-old girls like to do: play with her Barbie dolls, her cat, and her little brother. A shy child, she is a Brownie, and enjoys taking walks in the woods, reading, and playing piano.

When she developed a fever, the music had to wait. Her pediatrician, who had trained at Arkansas Children’s Hospital, thought she should be examined by a specialist he knew there. Within hours, she was diagnosed as having an advanced case of neuroblastoma, a kind of cancer that affects the nervous system.

Surgery was performed, supplemented by radiation, chemotherapy, and a bone marrow transplant.

To ease what must have been a frightening experience for child and parents, her doctors, nurses and therapists always explained what they were doing and why; answered questions; even saw to it that her mom and dad could be with her through every procedure except surgery. But children need security at times like these—especially bashful children—so it was no problem for her to take her blanket into surgery.

“We were all scared, but pleased,” her parents say. “You can never give up. The staff at Children’s always keeps trying… and they made us feel like one big, happy family.”

So on his birthday last spring, it came as a great present but no surprise that his orthopaedic device was removed and he walked away from Arkansas Children’s Hospital on his own two straightened legs.

She’s doing well—healthwise, and at school—and our staff members who see her every six months say that she is outgrowing her shyness.

And that’s music to our ears.

Arkansas Children’s Hospital
Where love can move mountains.

YOUR CHILDREN ARE OUR CHILDREN.
8th and Marshall Streets Little Rock, AR 72202-3591 370-1100


Copy:
Art Director:
Medium:
Client:
Agency:
Year:
Keith Brenton
Debbie Strobel
4-Color Newspaper
Arkansas Children’s Hospital
Cranford Johnson Robinson Woods
1988

The first ad in this series, (“Equestrian,” left) was written by Creative Director Ralph Patterson, and my task for the remaining three was to continue the narrative writing style and word count. “Your Children Are Our Children” was the positioning line I created for the client, which was retained for many years (and even borrowed later on by another children’s hospital elsewhere, I understand). This series of four ads featured beautiful done-by-hand pastel illustrations made from photographs at a time before PhotoShop made that easy.


249 Spring Street • Eureka Springs, AR 72632
wryterkb@gmail.com

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Fisherman

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He was born in Arizona 11 years ago and loves to hunt and fish and hike through the woods.

But for this easy-going kid, the going has never been easy.

At nine months old, he contracted a form of meningitis which stunted the growth of his bones and teeth and caused his legs to bow out. Two operations, in Arizona and Oklahoma, were unsuccessful.

For most of his life, trying to keep up meant being as determined to stand pain as he was determined to stand.

Three years ago, his family moved to Arkansas and in 1988, they came to Arkansas Children’s Hospital. Our orthopaedic specialists — using an innovative procedure practiced by only a handful of surgeons in America — strove to succeed where others had failed.

His parents stayed with him in his room whenever they wanted. Physicians clearly explained procedures and progress. Caring nurses and therapists eased their concerns. And their son stayed active through the Child Life program. We all watched him fight.

So on his birthday last spring, it came as a great present but no surprise that his orthopaedic device was removed and he walked away from Arkansas Children’s Hospital on his own two straightened legs.

And now, instead of spending his life trying to fight his way out of the woods, he’s spending a lot more time playing in them.

Arkansas Children’s Hospital
Where love can move mountains.

YOUR CHILDREN ARE OUR CHILDREN.
8th and Marshall Streets     Little Rock, AR 72202-3591     370-1100


Copy:
Art Director:
Medium:
Client:
Agency:
Year:
Keith Brenton
Debbie Strobel
4-Color Newspaper
Arkansas Children’s Hospital
Cranford Johnson Robinson Woods
1988

The first ad in this series, (“Equestrian,” left) was written by Creative Director Ralph Patterson, and my task for the remaining three was to continue the narrative writing style and word count. “Your Children Are Our Children” was the positioning line I created for the client, which was retained for many years (and even borrowed later on by another children’s hospital elsewhere, I understand). This series of four ads featured beautiful done-by-hand pastel illustrations made from photographs at a time before PhotoShop made that easy.


249 Spring Street • Eureka Springs, AR 72632
wryterkb@gmail.com

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A Woman’s Work Is Almost Done.

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WK Center for Women’s Health
Shreveport, LA


Copy:
Art Director:
Medium:
Client:
Agency:
Year:
Keith Brenton
Debbie Strobel
Outdoor
Willis-Knighton Medical System
Cranford Johnson Robinson Woods
1987

249 Spring Street • Eureka Springs, AR 72632
wryterkb@gmail.com

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A Woman’s Work Is Finally Done.

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Center for Women’s Health

It’s been months in the making; an effort of careful planning, close supervision, and genuine devotion.

It’s one of the most exciting and innovative programs in the Willis-Knighton Health System.

It’s the Center for Women’s Health, an entire facility on the campus of Willis-Knighton South that is dedicated to women’s healthc are – featuring treatment, maintenance, and educational programs.

Aesthetic Surroundings

This beautiful three-story facility encompasses 74,000 square feet, housing education facilities, labor and delivery rooms, a fully-equipped and staffed neonatal intensive care unity, post-partum rooms, and a newborn nursery. It is furnished with all-new state-of-the-art diagnostic and treatment equipment.

Its tall, airy atrium window brings natural light to the lobby, waiting areas and nursery. Special sky-lighting enhances the post-partum area. Every effort has been made to create an attractive as well as highly functional environment.

The Comforts of Family and Home

The atmosphere of a luxury hotel fills the second floor’s maternity area, where mothers can experience labor, delivery and recovery in a single, family-accessible room. warm, pleasant surroundins and comforts like a jacuzzi in each room’s bath are common throughout; the amenities of home are amply provided.

A children’s area is located in the Center, to provide temporary childcare while parents attend educational programs or take exercise classes. Also, parents are able to learn about child development by observing their children through a two-way mirror.

Diagnostics, Treatment and Exercise

Screenings and tests for mammography, ultrasound, diabetes, osteoporosits, and cholesterol are performed at the Center. There are several consultation rooms for support professionals such as nurses, educators, dietitians, exercise physiologists, and social workers; plus large conference rooms for educational programs and support group meetings.

The aerobics room is equipped with a hardwood floor and shock-absorbing foundation, providing a facility for the directed classes for women of all ages. A private dressing area and locker space are adjacent to the workout room. There are special classes designed for women who are beginning or have just begun a personal exercise program, for pregnant women and women who have recently had a baby.

An Educational Resource

In addition, a resource library contains books, magazines, research articles and audiovisual equipment for self-study and reference to a growing array of information about women’s health. There’s also a gift shop and vending area for the convenience of visitors.

Classes and community programs which have already begun under the banner of the Center now have a convenient, well-equipped home. The Center itself is conveniently located adjacent to the Willis-Knighton South hospital. In fact,the majority of OB/GYN physicians associated with WK keep office within walking distance of the Center for Women’s Health.

We believe the Center for Women’s Health will grow to be an extremely valuable asset for women – and their families – in this region. Call (318) 632-5255 for more information about the Center and its programs.

WK Center for Women’s Health

An Innovative Part Of The Willis-Knighton Health System
Shreveport, LA


Copy:
Art Director:
Medium:
Client:
Agency:
Year:
Keith Brenton
Debbie Strobel
4-Color Bi-Fold Mailer
Willis-Knighton Medical System
Cranford Johnson Robinson Woods
1987


249 Spring Street • Eureka Springs, AR 72632
wryterkb@gmail.com

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2110

#3 in a series
Your Type of Future

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2110:

THE MACHINE THAT MAKES CONTACT.

When we bought our Itek 2110 typesetting machine, we were looking forward to a day when our clients could send us their copy by phone … saving us keystrokes and saving them money.

That day has dawned.

With the addition of our Data Communications Interface, we can receive copy from most popular brands of personal or business microcomputers and word processors.

We’ll add the codes and commands to transform your copy into top-quality type galleys. If your terminal has a modem and can transmit text as described below, our machines can talk to each other.

It doesn’t take a person skilled in setting type to operate a word processor at your end of the cosmos.

It doesn’t take a HAL 9000 computer to deduce that our labor saved is your money saved.

And if you have in-house typesetting already, it doesn’t take much imagination to see the advantages of interfacing with another machine during peak load times or downtime due to printer malfunction.

So consider us as the easy way to turn your text into type… or as an alternative to costly expansion of your present typesetting system. Make contact with our 2110.

Something wonderful will happen.

GraphicType

• Transmits 7- or 8-bit ASCII Code text files • Asynchronous • At 300-1200 Baud •


Copy, Typography:
Supv. Art Director:
Medium:
Client:
Agency:
Year:
Keith Brenton
Lyndel Dean
2-Color Direct Mail on Grey Stock
GraphicType
Cranford Johnson Robinson Woods
1985

(As the typographer for CJRW, I began to promote the in-house phototypography unit as a revenue-generator for the agency with a series of three direct-mail pieces to other local agencies, pre-press and print shops. At that time, digital typography was in its infancy and could only boast about 300 dots-per-inch definition. So we bought a new phototypesetter and promoted it with these flyers, parodying current science fiction films. That year we went from billing $60,000 to $120,000.)

249 Spring Street • Eureka Springs, AR 72632
wryterkb@gmail.com

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Your Trek

#2 in a series
Your Type of Future

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YOUR TREK

IN SEARCH OF PROFIT

In any enterprise you embark upon, there is an element of risk.

For instance: If you’re thinking of launching or upgrading in-house typesetting, then certainly you must consider the costs.

There’s the equipment—which, these days, can run upwards of $100,000—and is often outdated and out of production in three to five years.

What capabilities do you need to buy? How many terminals and how often will they be used?

Installation, service calls or contracts, downtime lost to malfunction, parts, supplies, insurance—all are major expenditures.

There’s also the crew to operate it: training time and costs, labor, time lost to absence. Who will do editing, proofreading, and markup? Do you hire full or part-time?

If you plan to amortize the costs of establishing in-house typesetting, who will handle sales? What rates can you charge for your type and for what profit margin should you aim?

By whom and how will priorities and backlog be handled?

Your search is over.

There is another alternative to high type bills or costly expansion of your present typesetting system. Ship your copy over to us. We can turn it into high quality type overnight or over the weekend—without rush charges.

Because we want you to live long and prosper.

Logical?

GraphicType

• The typesetting needs of the many outweigh the profitability needs of the few •


Copy, Typography:
Supv. Art Director:
Medium:
Client:
Agency:
Year:
Keith Brenton
Lyndel Dean
1-Color Direct Mail on Heather Grey Stock
GraphicType
Cranford Johnson Robinson Woods
1985

(As the typographer for CJRW, I began to promote the in-house phototypography unit as a revenue-generator for the agency with a series of three direct-mail pieces to other local agencies, pre-press and print shops. At that time, digital typography was in its infancy and could only boast about 300 dots-per-inch definition. So we bought a new phototypesetter and promoted it with these flyers, parodying current science fiction films. That year we went from billing $60,000 to $120,000.)

249 Spring Street • Eureka Springs, AR 72632
wryterkb@gmail.com

Posted in Typography | Tagged , | Leave a comment